Is it sacrilege to declare that the best-looking film avantage in Paris was shot by a deux of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French argent – as well as the neoclassical edifices of Mussolini’s Rome – in relax Spleen and shards of light as sharp https://simonaifnd.blogsidea.com/39084188/détails-fiction-et-inscription-gratuite